Ahorra 5 meses con 1 año de Premium al 35% dto ¡Lo quiero!
Blurred Identities: The Art and Audience of Lynching Photography
  • 14/07/2020
  • 6
  • 0
  • 0

Blurred Identities: The Art and Audience of Lynching Photography

Audio no disponible. Inténtalo más tarde.
  • Descargar
  • Compartir
  • Me gusta
  • Más
    • Escuchar en popup
    • Denunciar Contenido
Preparando para la descarga

Preparando audio para descarga.

Escucha patrocinada. El audio empezará en pocos segundos...

Escucha sin anuncios y sin esperas con iVoox Premium

Pruébalo Gratis

X

Descripción de Blurred Identities: The Art and Audience of Lynching Photography

Terence Washington, departments of academic programs and modern art, National Gallery of Art Between the late 19th and the mid-20th centuries, white Americans conducted thousands of lynchings, using these extrajudicial killings to intimidate non-whites and mete out what they considered to be justice. Increasingly, photographs were taken of lynchings and spectators and were distributed to extend the effect of the mobs’ violent tactics. A 1930 photograph by Lawrence Beitler (1885–1960) of a lynching in Marion, Indiana, inspired the song “Strange Fruit” and contributed to the anti-lynching movement in the United States. Terence Washington examines the photograph and the events surrounding the lynching, taking the blurry figure in the photograph’s foreground as a point of departure to discuss the mechanisms of American white supremacy.

Mostrar Ocultar

Comentarios

Por decisión del propietario, no se aceptan comentarios anónimos. Registrate para comentarlo.

Más de Arte y literatura

VER TODOS